Pubblicazioni

MONOGRAFIE

  1. L’ambiguo volto dell’Italia nella letteratura inglese del Cinquecento. Pisa: Pisa University Press, 2025 (serie “Viaggi per scene in movimento”). ISBN: 979-1-2560-8118-9. https://www.pisauniversitypress.it/scheda-libro/nicoletta-caputo/lambiguo-volto-dellitalia-nella-letteratura-inglese-del-cinquecento-9791256081189-577338.html.
  2. Richard III as a Romantic Icon: Textual, Cultural and Theatrical Appropriations. Bern: Peter Lang, 2018 (serie “Romantic Studies. Theories and Practices”). ISBN: 978-3-0343-2998-9. https://www.peterlang.com/view/title/63734?format=PBK.
  3. ‘New Wine in Old Bottles’: il bricolage intellettuale di Angela Carter in “Nights at the Circus”. Arezzo: Bibliotheca Aretina, 2010. ISBN: 978-88-903255-3-3.
  4. Playing with Power’: gli interludi Tudor e i percorsi della Riforma. Napoli: Liguori, 1998. ISBN: 978-88-2072-827-4.

 

ARTICOLI IN RIVISTA

  1. “Contaminating Shakespeare on the Victorian Stage: Burlesque, Pantomime, and ‘Legitimate’ Acting”, Nineteenth Century Theatre and Film 52.2 (November 2025): 200-225. ISSN 1748-3727.(Rivista di classe A) https://doi.org/10.1177/17483727251317938
  2. “Individual and Collective Memory in Shakespeare’s First Tetralogy, Between Myth and National Identity”, Caietele Echinox 44 (2023): 29-44. ISBN 1582-960X. (Rivista di classe A). Open access: https://dx.doi.org/10.24193/cechinox.2023.44.02 
  3. “’In Tuscan fields, the winds in odours steeped’: Mary Shelley’s Tuscany”. Synergies: A Journal of English Literatures and Cultures 3 (2023): 31-42. ISSN 2785-1850. https://doi.org/10.4454/syn.v3.538
  4. “Con occhi britannici. Mary Shelley, Felicia Hemans e i moti rivoluzionari italiani del 1820-21”. LEA – Lingue e Letterature d’Oriente e d’Occidente 11 (2022): 61-78. ISSN 1824-484X. (Rivista di classe A). Open access: https://dx.doi.org/10.362553/LEA-1824-484x-13881  
  5. “‘Spoofing Celebrities’: Shakespearean Parodies of Edmund Kean”. Nineteenth-Century Literarure 76.2 ( 2021): 163-191. ISSN 0891-9356. (Rivista di classe A) https://doi.org/10.1525/ncl.2021.76.2.163
  6. “All you that be young, whom I do now represent’: Doctrine, Deception and Discontent in Lusty Juventus”. Renaissance Studies 35.3 (2021): 425-43. ISSN:0269-1213. (Rivista di classe A) https://onlinelibrary.wiley.com/share/author/JR6FIPYWZXA9PHVWSPIJ?target=10.1111/rest.12677.  
  7. “‘The Farcical Tragedies of King Richard III’: The Nineteenth-Century Burlesques”. Theatre Survey 62.1 (2021): 25-50. ISSN 0040-5574. (Rivista di classe A) Open access: https://doi.org/10.1017/S0040557420000460. 
  8. “‘Taking Sides with the Princess’: Sarah Green’s Private History of the Court of England (1808) between Scandal Fiction and Historical Novel”. Synergies: A Journal of English Literatures and Cultures 1 (2020): 9-28. ISSN 2785-1850.  https://doi.org/10.4454/syn.v1.368
  9. “Anne Tyler’s Vinegar Girl: Shakespeare’s Taming of the Shrew with no ‘Shrew’ and no ‘Taming’”. Rivista di Letterature Moderne e Comparate 73.4 (2020): 377-398. ISSN 0391-2108. (Rivista di classe A)
  10. “Figli e… padri prodighi in William Shakespeare”. Studium 109.4 (luglio-agosto 2013), “Il romanzo della misericordia. La parabola del figliol prodigo nella letteratura”: 528-545.   ISSN: 0039-4130. (Rivista di classe A)
  11. “British Actors in Exile: The America of George Frederick Cooke and Edmund Kean”. Anglistica pisana IX (2012): 221-237. ISSN: 1827-4951.
  12. “Looking for Richard III in Romantic Times: Thomas Bridgman’s and William Charles Macready’s Abortive Stage Adaptations”. Theatre Survey 52.2 (November 2011): 275-300. ISSN: 0040-5574. (Rivista di classe A) https://doi.org/10.1017/S0040557411000391
  13. “Melodrama Gets to the Heart of Shakespeare: The “Ogreish” King Richard III of George Frederick Cooke”. Textus XXIV.1 (January-April 2011), “Renaissance and Romanticism: Continuities and Discontinuities in the Transmission of Literary and Cultural Models”: 169-188. ISSN: 1824-3967. (Rivista di classe A)
  14. “Performing the Passions: David Garrick and Edmund Kean in King Richard The Third”. Assaph. Studies in the Theatre 24 (2010): 75-100. ISSN: 0334-5963.
  15. “The Defence of Religious Orthodoxy in John Heywood’s The Pardoner and the Frere”. The Yearbook of English Studies 38.1-2 (2008), “Tudor Literature”: 34-48. ISSN: 0306-2473. (Rivista di classe A)
  16. “‘Which play was of a king how he should rule his realm’: Tudor Interludes Advising the Ruler”. Hungarian Journal of English and American Studies 11.1 (Spring 2005), “The Voices of the English Renaissance”: 7-28. ISSN: 1218-7364.
  17. “Storia/e al femminile: ‘Writing as Re-vision’”. Textus IX.1 (1996): 285-322. ISSN: 1824-3967. (Rivista di classe A)
  18. “L’etica della forma: strategie di straniamento in Other People: A Mystery Story (1981) e Time’s Arrow (1991) di Martin Amis”. Il Confronto Letterario XII. 23 (maggio 1995): 73-104. ISSN: 0394-994X. (Rivista di classe A)
  19. “Oltre i confini di genere: problematiche testuali e sessuali in Nights at the Circus (1984) di Angela Carter”. AION. Annali Istituto Orientale. Anglistica XXXV.2-3 (1992): 31-55. ISSN: 0391-5956. (Rivista di classe A)

 

SAGGI E CAPITOLI IN VOLUME

  1. “From Altars to Dust: Thomas Becket at the Time of the Tudors”. In Marco Battaglia, a cura di. Unbelievable Middle Ages Medieval Fascination and Disenchantment between Renaissance and Enlightenment. Pisa: Pisa University Press, 2026. ISBN: 979-12-5608-305-3. Open access: https://www.pisauniversitypress.it/scheda-ebook/autori-vari/unbelievable-middle-ages-9791256083053-577418.html
  2. “The Liberal… e oltre: il liberalismo al femminile di Mary Shelley”. In Paolo Bugliani e Camilla Del Grazia, a cura di. The Liberal. Romantici inglesi a Pisa. Pisa: Edizioni ETS, 2025: 125-49. ISBN: 978-88-46772-42-8.
  3. “’Blossoms and flowers, in laughing plenty’: La Toscana nella narrativa di Mary Shelley”. In Marcello Cherubini, a cura di. Atti delle Giornate di Studio 2022 e 2023. Borgo a Mozzano (Lu): Fondazione Culturale Michel de Montaigne, 2024: 31-50. ISBN 978-88-940998-7-4.
  4. “‘The most civilized district of Italy’: Mary Shelley’s Tuscan Tales Between History, Literary Echoes and Politics”. In Giulio Milone e Camilla Del Grazia, a cura di. Immagini e paesaggi della Toscana nella tradizione letteraria e artistica europea. Lucca: Edizioni La Vela, 2022: 15-38. ISBN 979-12-80920-14-0
  5. “Figli e…padri ‘prodighi’ in William Shakespeare”. In Emilia Di Rocco e Irene Montori, a cura di. Il romanzo della misericordia La parabola del figliol prodigo in letteratura. Roma: Edizioni Studium: 2020. ISBN 978-88-382-4952-5.
  6. “La transnazionalità letteraria di Perkin Warbeck. Un eroe romantico?”. In Enrico di Pastena, a cura di. Mediazioni letterarie: itinerari, figure e pratiche. Pisa: Pisa University Press, 2019: 1. 311-337. ISBN 978-88-3339-257-8. Open access: https://store.streetlib.com/shop-all/mediazioni-letterarie-itinerari-figure-e-pratiche-433575/
  7. “‘Beware of Rome’. The Italian Villainous Priest in Tudor Drama”. In Carla Dente and Francesca Fedi, eds. Journeys through Changing Landscapes. Literature, Language, Culture and Their Transnational Dislocations. Pisa: Pisa University Press, 2017: 317-335. ISBN: 978-88-6741-717-9. Open access: https://store.streetlib.com/it/carla-dente/journeys-through-changing-landscapes
  8. “Le grandi Viola del Settecento”. In Mariangela Tempera e Keir Elam, a cura di. Twelfth Night dal testo alla scena. Bologna: I Libri di Emil, 2017: 157-182. ISBN: 978-88-6680-226-6.
  9. “Il Riccardo III Arlecchino di Edmund Kean”. In Daniela Carpi, a cura di. Richard III dal testo alla scena. Bologna: I Libri di Emil, 2016: 87-107. ISBN: 978-88-6680-183-2.
  10.  “Angela Carter”. In Andrew Hadfield, ed. Oxford Bibliographies in “British and Irish Literature” (ISBN: 9780199846719). New York: Oxford University Press, 10/03/2015. ISBN: 978-01-9984-671-9. http://www.oxfordbibliographies.com/view/document/obo-9780199846719/obo-9780199846719-0097.xml?rskey=Bu845B&result=10. 
  11. “A ‘Marketplace Prince’: The Hybridity of the Character of King Richard III and Its Popular Roots in the Vice.” In Carla Dente and Jesús Tronch, eds. Offstage and Onstage. Liminal Forms of Theatre and Their Enactments in Early Modern English Drama to the Licensing Act (1737). Pisa: ETS, 2015: 145-163. ISBN: 978-88-4674-198-1. 
  12. “Theatrical Periodicals and the Ethics of Theatre in the Romantic Age”. In Lilla Maria Crisafulli and Fabio Liberto, eds. The Romantic Stage. A Many-sided Mirror. Amsterdam-New York, NY: Rodopi, 2014: 43-56. ISBN: 978-90-4203-918-6.
  13. “La figura del ‘Vice’ negli Interludi Tudor e la percezione carnevalesca del mondo”. In Susan Payne e Valeria Pellis, a cura di. Il teatro inglese tra Cinquecento e Seicento. Testi e contesti. Padova: CLEUP, 2011: 319-338. ISBN: 978-88-6129-789-0.
  14. “‘Like the Formal Vice, Iniquity’: Riccardo III tra Shakespeare e Cibber”. In AA.VV., The Character Unbound. Studi per William N. Dodd. Arezzo: Bibliotheca Aretina, 2010: 19-36. ISBN: 978-88-903255-8-8.
  15. “I predecessori di Shakespeare: morality plays e interludi” In Lilla Maria Crisafulli e Keir Elam, a cura di. Manuale di letteratura e cultura inglese. Bologna: BUP, 2009: 23-29. ISBN: 978-88-7395-289-3.
  16. “La prosa del ‘500”. In Lilla Maria Crisafulli e Keir Elam, a cura di. Manuale di letteratura e cultura inglese. Bologna: BUP, 2009: 61-69. ISBN: 978-88-7395-289-3.
  17. “Edmund Kean or ‘the Romantic Actor’”. In Lilla Maria Crisafulli and Cecilia Pietropoli, eds. The Languages of Performance in British Romanticism. Bern: Peter Lang, 2008: 127-139. ISBN: 978-3-03911-079-1.
  18. “Entertainers ‘on the Vagabond Fringe’: Jugglers in Tudor and Stuart England”. In Alessandro Serpieri and Paola Pugliatti, eds English Renaissance Scenes: From Canon to Margins. Bern: Peter Lang, 2008: 311-347. ISBN: 978-3-03911-079-7.
  19. Traduzione di: John Dennis, L’utilità del teatro […] in occasione di un libro recente, scritto da Jeremy Collier (1698). In Romana Zacchi, a cura di. La scena contestata. Antologia da un campo di battaglia transnazionale. Napoli: Liguori, 2006: 89-94. ISBN: 88-207-3953-4.
  20. “‘I can add colours to the chameleon’: King Richard III’s Metamorphic History”. In Dente, G. Ferzoco, M. Gill and M. Spunta, eds. Proteus. The Language of Metamorphosis. Aldershot: Ashgate, 2005: 243-254. ISBN: 978-07-5463-957-2.   
  21. “A ‘Deformed’ Christianity: Ethical Transubstantiation in English Reformation Plays”. In Douglas Burnham and Enrico Giaccherini, eds. The Poetics of Transubstantiation: From Theology to Metaphor. Aldershot: Ashgate, 2005: 63-74. ISBN: 978-07-5465-026-3.
  22. “Angela Carter’s The Passion of New Eve (1977): Sexual Transmutation as Psycho-physical Exile”. In Sharon Ouditt, ed. Displaced Persons: Conditions of Exile in European Culture. Aldershot: Ashgate, 2002: 138-148. ISBN: 978-07-5460-511-9.
  23. “‘Her-story’: la Storia (ri)scritta dalle donne nel teatro inglese contemporaneo”. In Ornella De Zordo e Fiorenzo Fantaccini, a cura di. Le riscritture del Postmoderno. Percorsi angloamericani. Bari: Palomar edizioni, 2002: 289-312. ISBN: 88-87467-66-8.
  24. “The Infernal Desire Machines of Doctor Hoffman (1972) di Angela Carter: nel regno della fantascienza, la minaccia dell’immaginario”. In Francesco Gozzi e Anthony L. Johnson, a cura di. Scienza e immaginario. Pisa: Edizioni ETS, 1997: 377-390. ISBN: 884-67-0025-2.
  25. “Angela Carter e il realismo magico: il caso di Nights at the Circus”. In Serena Cenni e Alex R. Falzon, a cura di, Angela Carter: Tradizioni, Innovazioni, Traduzioni (Atti del Convegno, Siena 17-18 aprile 1996). Trento: Tipolitografica Editrice TEMI, 1997: 43-57.

 

RECENSIONI

  1. Recensione di: Diego Saglia, Modernità del Romanticismo. Scrittura e cambiamento nella letteratura britannica 1780-1830 (Venezia: Marsilio, 2023). Rivista di Letterature moderne e comparate e Storia delle arti 77 n.s. 3 (luglio-settembre 2024): 346-350. ISSN: 0391-2108. (Rivista di classe A)
  2. Recensione di: Lisanna Calvi (a cura di), Memoria, malinconia e autobiografia dello spirito: Dionys Fitzherbert e Hannah Allen (Pisa: Pacini, 2012). Rivista di Letterature moderne e comparate 68 n.s.1 (gennaio-marzo 2015): 94-96. ISSN: 0391-2108. (Rivista di classe A)
  3. “Enciclopedie e dizionari americani e inglesi in linea”. Letterature d’Europa e d’America 1 (2004), “Soglie, margini, confini. Scritture in limine”: 372-374. ISSN: 1824-4920.
  4. Recensione di: Sharon Ouditt (ed.), Displaced Persons: Conditions of Exile in European Culture (Aldershot: Ashgate, 2002). LEA. Letterature d’Europa e d’America 1 (2004), “Soglie, margini, confini. Scritture in limine”: 360-363. ISSN: 1824-4920.
  5. Recensione di: Kent Cartwright, Theatre and Humanism: English Drama in the Sixteenth Century (Cambridge: Cambridge University Press, 1999). The European Legacy – Toward New Paradigms1 (February 2003): 95-96. ISSN: 1084-8770.
  6. Recensione di: Greg Walker, The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998). The European Legacy – Toward New Paradigms VI.4 (August 2001): 526-528. ISSN: 1084-8770.

 

BANCHE DATI

  1. “Heywood’s The Play of the Weather”, “Heywood’s The Pardoner and the Frere”, “Skelton’s Magnyfycence”, “Bale’s King Joan, Part 1”, “Bale’s King Joan, Part 2”, “Godly Queen Hester 1527”, “Somebody, Avarice and Minister (Somebody and Others, or the Spoiling of Lady Verity) 1550”, “Lupton’s All for Money 1577”, “Skelton’s Old Christmas, or Good Order 1533”, “W. Wager’s The Cruel Debtor 1565”. In Brian Jay Corrigan, ed. The Compendium of Renaissance Drama. Online database, http://cord.ung.edu/index.htm and http://cord.ung.edu/contributors.html, 2016.
  2. Annotazione bibliografica elettronica di: Janette Dillon. “Clerkenwell and Smithfield as a Neglected Home of London Theater”. Huntington Library Quarterly 71 (2008). In Routledge ABES (Routledge Annotated Bibliography of English Studies), http://abe.informaworld.com/sabe/home. October 2011.
  3. Annotazione bibliografica elettronica di: Thomas Deloney. The Gentle Craft (ed. by Simon Barker). Aldershot: Ashgate, In Routledge ABES (Routledge Annotated Bibliography of English Studies), http://abe.informaworld.com/sabe/home. 16/01/2009.
  4. Collaborazione alla sezione “Renaissance and Early Modern”, Routledge ABES (Routledge Annotated Bibliography of English Studies), Pubblicazione elettronica su abbonamento edita da Routledge, 2007-2012 http://abe.informaworld.com/sabe/home
  5. Annotazione bibliografica elettronica di: Charles Frederick Tucker Brooke. The Tudor Drama: A History of English National Drama to the Retirement of Shakespeare. Hamden, CT, and London: Archon Books, 1964 [1911]. In ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century”, Swets & Zeitlinger, http://abes.swets.nl, 05/03/2002 (Confluita in Routledge ABES, http://abe.informaworld.com/sabe/home, 01/01/2005).
  6. Annotazione bibliografica elettronica di: Bernard Spivack. Shakespeare and the Allegory of Evil: The History of a Metaphor in Relation to His Major Villains. New York: Columbia University Press, In ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century”, Swets & Zeitlinger, http://abes.swets.nl, 05/03/2002 (Confluita in Routledge ABES, http://abe.informaworld.com/sabe/home, 01/01/2005).
  7. Annotazione bibliografica elettronica di: Frederick S. Boas. University Drama in the Tudor Age. New York: Benjamin Blom, 1966 [1914]. In ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century”, Swets & Zeitlinger, http://abes.swets.nl, 05/03/2002 (Confluita in Routledge ABES, http://abe.informaworld.com/sabe/home, 01/01/2005).
  8. Annotazione bibliografica elettronica di: David M Bevington. “Tudor Drama and Polemics under Queen Mary”, Renaissance Drama 9 (1966): 105- In ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century”, Swets & Zeitlinger, http://abes.swets.nl, 05/03/2002 (Confluita in Routledge ABES, http://abe.informaworld.com/sabe/home, 01/01/2005).
  9. Annotazione bibliografica elettronica di: N. Sanders, R. Southern, T.W. Craik and L. Potter, eds. The Revels History of Drama in English, vol. II, 1500-1576. London and New York: Methuen, In ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century”, Swets & Zeitlinger, http://abes.swets.nl, 05/03/2002.
  10. Curatela della sezione “Tudor Drama 1485-1576: Morality Plays, Interludes”, in ABES (Annotated Bibliography for English Studies), vol. 304, “Renaissance and Seventeenth Century” (a cura di John Drakakis), 2001-2005. Pubblicazione elettronica su abbonamento edita da Swets & Zeitlinger, http://abes.swets.nl.
  11. “John Bale”, in Robert Clark, ed. The Literary Encyclopedia. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http://www.litencyc.com/php/speople.php?rec=true&UID=231, 20/10/2001.
  12. “John Heywood”, in Robert Clark, ed. The Literary Encyclopedia. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http://www.litencyc.com/php/speople.php?rec=true&UID=2122, 20/10/2001.
  13. “Nicholas Udall”, in Robert Clark, ed. The Literary Encyclopedia. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http://www.litencyc.com/php/speople.php?rec=true&UID=4498, 28/10/2001.