{"id":8,"date":"2015-04-08T11:14:00","date_gmt":"2015-04-08T09:14:00","guid":{"rendered":"http:\/\/people.unipi.it\/nicoletta_caputo\/?page_id=8"},"modified":"2026-05-06T10:46:47","modified_gmt":"2026-05-06T08:46:47","slug":"pubblicazioni","status":"publish","type":"page","link":"https:\/\/people.unipi.it\/nicoletta_caputo\/pubblicazioni\/","title":{"rendered":"Pubblicazioni"},"content":{"rendered":"

MONOGRAFIE<\/em><\/strong><\/h4>\n
    \n
  1. L’ambiguo volto dell’Italia nella letteratura inglese del Cinquecento<\/em>. Pisa: Pisa University Press, 2025 (serie “Viaggi per scene in movimento”). ISBN: 979-1-2560-8118-9. https:\/\/www.pisauniversitypress.it\/scheda-libro\/nicoletta-caputo\/lambiguo-volto-dellitalia-nella-letteratura-inglese-del-cinquecento-9791256081189-577338.html.<\/a><\/span><\/li>\n
  2. Richard III as a Romantic Icon: Textual, Cultural and Theatrical Appropriations<\/em>. Bern: Peter Lang, 2018 (serie \u201cRomantic Studies. Theories and Practices\u201d). ISBN: 978-3-0343-2998-9. https:\/\/www.peterlang.com\/view\/title\/63734?format=PBK<\/a>.<\/span><\/li>\n
  3. \u2018New Wine in Old Bottles\u2019: il bricolage intellettuale di Angela Carter in \u201cNights at the Circus\u201d<\/em>. <\/em>Arezzo: Bibliotheca Aretina, 2010. ISBN: 978-88-903255-3-3.<\/span><\/li>\n
  4. Playing with Power\u2019: gli interludi Tudor e i percorsi della Riforma<\/em>. Napoli: Liguori, 1998. ISBN: 978-88-2072-827-4.<\/span><\/li>\n<\/ol>\n

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    ARTICOLI IN RIVISTA<\/em><\/strong><\/h4>\n
      \n
    1. \u201cContaminating Shakespeare on the Victorian Stage: Burlesque, Pantomime, and \u2018Legitimate\u2019 Acting”, Nineteenth Century Theatre and Film<\/em> 52.2 (November 2025): 200-225. ISSN 1748-3727.<\/span><\/span>(Rivista di classe A<\/strong>) https:\/\/doi.org\/10.1177\/17483727251317938<\/a><\/span><\/li>\n
    2. “Individual and Collective Memory in Shakespeare\u2019s First Tetralogy, Between Myth and National Identity\u201d, Caietele Echinox<\/em> 44 (2023): 29-44.<\/span> ISBN 1582-960X. <\/span>(Rivista di classe A<\/strong>).\u00a0<\/span>Open access:<\/span>\u00a0https:\/\/dx.doi.org\/10.24193\/cechinox.2023.44.02\u00a0<\/a><\/span><\/li>\n
    3. \u201c’In Tuscan fields, the winds in odours steeped’: Mary Shelley’s Tuscany”. Synergies: A Journal of English Literatures and Cultures<\/em> 3 (2023): 31-42. ISSN 2785-1850.\u00a0https:\/\/doi.org\/10.4454\/syn.v3.538<\/a><\/span><\/li>\n
    4. \u201cCon occhi britannici. Mary Shelley, Felicia Hemans e i moti rivoluzionari italiani del 1820-21\u201d. LEA – Lingue e Letterature d’Oriente e d’Occidente<\/em> 11 (2022): 61-78. ISSN 1824-484X. <\/span>(Rivista di classe A<\/strong>). Open access:<\/span>\u00a0https:\/\/dx.doi.org\/10.362553\/LEA-1824-484x-13881<\/a>\u00a0\u00a0<\/span><\/li>\n
    5. \u201c\u2018Spoofing Celebrities\u2019: Shakespearean Parodies of Edmund Kean\u201d. Nineteenth-Century Literarure<\/em> 76.2 ( 2021): 163-191. ISSN 0891-9356. (Rivista di classe A<\/strong>) https:\/\/doi.org\/10.1525\/ncl.2021.76.2.163<\/a><\/span><\/li>\n
    6. \u201cAll you that be young, whom I do now represent\u2019: Doctrine, Deception and Discontent in Lusty Juventus\u201d. Renaissance Studies <\/em>35.3 (2021): 425-43. ISSN:0269-1213. (Rivista di classe A<\/strong>) https:\/\/onlinelibrary.wiley.com\/share\/author\/JR6FIPYWZXA9PHVWSPIJ?target=10.1111\/rest.12677<\/a>.\u00a0\u00a0<\/span><\/li>\n
    7. \u201c\u2018The Farcical Tragedies of King Richard III\u2019: The Nineteenth-Century Burlesques\u201d. Theatre Survey<\/em> 62.1 (2021): 25-50. ISSN 0040-5574. (Rivista di classe A<\/strong>) Open access: https:\/\/doi.org\/10.1017\/S0040557420000460<\/a>.\u00a0<\/span><\/li>\n
    8. \u201c\u2018Taking Sides with the Princess\u2019: Sarah Green\u2019s Private History of the Court of England<\/em> (1808) between Scandal Fiction and Historical Novel\u201d. Synergies: A Journal of English Literatures and Cultures<\/em> 1 (2020): 9-28. ISSN 2785-1850.\u00a0\u00a0https:\/\/doi.org\/10.4454\/syn.v1.368<\/a><\/span><\/li>\n
    9. \u201cAnne Tyler\u2019s Vinegar Girl<\/em>: Shakespeare\u2019s Taming of the Shrew<\/em> with no \u2018Shrew\u2019 and no \u2018Taming\u2019\u201d. Rivista di Letterature Moderne e Comparate<\/em> 73.4 (2020): 377-398. ISSN 0391-2108. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    10. \u201cFigli e… padri prodighi in William Shakespeare\u201d. Studium<\/em> 109.4 (luglio-agosto 2013), \u201cIl romanzo della misericordia. La parabola del figliol prodigo nella letteratura\u201d: 528-545. \u00a0\u00a0ISSN: 0039-4130. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    11. \u201cBritish Actors in Exile: The America of George Frederick Cooke and Edmund Kean\u201d. Anglistica pisana<\/em> IX (2012): 221-237. ISSN: 1827-4951.<\/span><\/li>\n
    12. \u201cLooking for Richard III in Romantic Times: Thomas Bridgman\u2019s and William Charles Macready\u2019s Abortive Stage Adaptations\u201d. Theatre Survey<\/em> 52.2 (November 2011): 275-300. ISSN: 0040-5574. (Rivista di classe A<\/strong>) https:\/\/doi.org\/10.1017\/S0040557411000391<\/span><\/a><\/span><\/li>\n
    13. \u201cMelodrama Gets to the Heart of Shakespeare: The \u201cOgreish\u201d King Richard III of George Frederick Cooke\u201d. Textus<\/em> XXIV.1 (January-April<\/span> 2011), \u201cRenaissance and Romanticism: Continuities and Discontinuities in the Transmission of Literary and Cultural Models\u201d: 169-188. ISSN: 1824-3967. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    14. \u201cPerforming the Passions: David Garrick and Edmund Kean in King Richard The Third<\/em>\u201d. Assaph. Studies in the Theatre<\/em> 24 (2010): 75-100. ISSN: 0334-5963.<\/span><\/li>\n
    15. \u201cThe Defence of Religious Orthodoxy in John Heywood\u2019s The Pardoner and the Frere<\/em>\u201d. The Yearbook of English Studies<\/em> 38.1-2 (2008), \u201cTudor Literature\u201d: 34-48. ISSN: 0306-2473. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    16. \u201c\u2018Which play was of a king how he should rule his realm\u2019: Tudor Interludes Advising the Ruler\u201d. <\/span>Hungarian Journal of English and<\/span> American Studies<\/span><\/em> 11.1 (Spring 2005), \u201cThe Voices of the English Renaissance\u201d: 7-28. ISSN: 1218-7364.<\/span><\/li>\n
    17. \u201cStoria\/e al femminile: \u2018Writing as Re-vision\u2019\u201d. Textus<\/em> IX.1 (1996): 285-322. ISSN: 1824-3967. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    18. \u201cL\u2019etica della forma: strategie di straniamento in Other People: A Mystery Story<\/em> (1981) e Time’s Arrow<\/em> (1991) di Martin Amis\u201d. Il<\/em> Confronto Letterario<\/em> XII. 23 (maggio 1995): 73-104. ISSN: 0394-994X. (Rivista di classe A<\/strong>)<\/span><\/li>\n
    19. \u201cOltre i confini di genere: problematiche testuali e sessuali in Nights at the Circus<\/em> (1984) di Angela Carter\u201d. AION. Annali Istituto Orientale. Anglistica <\/em>XXXV.2-3 (1992): 31-55. ISSN: 0391-5956. (Rivista di classe A<\/strong>)<\/span><\/li>\n<\/ol>\n

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      SAGGI E CAPITOLI IN VOLUME<\/em><\/strong><\/h4>\n
        \n
      1. \u201cFrom Altars to Dust: Thomas Becket at the Time of the Tudors”. In Marco Battaglia, a cura di. Unbelievable Middle Ages Medieval Fascination and Disenchantment between Renaissance and Enlightenment<\/em>. Pisa: Pisa University Press, 2026. ISBN: 979-12-5608-305-3. Open access:\u00a0https:\/\/www.pisauniversitypress.it\/scheda-ebook\/autori-vari\/unbelievable-middle-ages-9791256083053-577418.html<\/a><\/span><\/li>\n
      2. \u201cThe Liberal<\/em>… e oltre: il liberalismo al femminile di Mary Shelley”. In Paolo Bugliani e Camilla Del Grazia, a cura di. The Liberal. Romantici inglesi a Pisa<\/em>. Pisa: Edizioni ETS, 2025: 125-49. ISBN: 978-88-46772-42-8.<\/span><\/li>\n
      3. \u201c’Blossoms and flowers, in laughing plenty’: La Toscana nella narrativa di Mary Shelley”. In Marcello Cherubini, a cura di. Atti delle Giornate di Studio 2022 e 2023<\/em>. Borgo a Mozzano (Lu): Fondazione Culturale Michel de Montaigne, 2024: 31-50. ISBN 978-88-940998-7-4.<\/span><\/li>\n
      4. \u201c\u2018The most civilized district of Italy\u2019: Mary Shelley\u2019s Tuscan Tales Between History, Literary Echoes and Politics\u201d. In Giulio Milone e Camilla Del Grazia, a cura di. Immagini e paesaggi della Toscana nella tradizione letteraria e artistica europea<\/em>. Lucca: Edizioni La Vela, 2022: 15-38. ISBN 979-12-80920-14-0<\/span><\/li>\n
      5. \u201cFigli e…padri \u2018prodighi\u2019 in William Shakespeare\u201d. In Emilia Di Rocco e Irene Montori, a cura di. Il romanzo della misericordia La parabola del figliol prodigo in letteratura<\/em>. Roma: Edizioni Studium: 2020. ISBN 978-88-382-4952-5.<\/span><\/li>\n
      6. \u201cLa transnazionalit\u00e0 letteraria di Perkin Warbeck. Un eroe romantico<\/em>?\u201d. In Enrico di Pastena, a cura di. Mediazioni letterarie: itinerari, figure e pratiche<\/em>. Pisa: Pisa University Press, 2019: 1. 311-337. ISBN 978-88-3339-257-8. Open access: https:\/\/store.streetlib.com\/shop-all\/mediazioni-letterarie-itinerari-figure-e-pratiche-433575\/<\/a><\/span><\/li>\n
      7. \u201c\u2018Beware of Rome\u2019. The Italian Villainous Priest in Tudor Drama\u201d. In Carla Dente and Francesca Fedi, eds. Journeys through Changing Landscapes<\/em>. Literature, Language, Culture and Their Transnational Dislocations<\/em>. Pisa: Pisa University Press, 2017: 317-335. ISBN: 978-88-6741-717-9. Open access:\u00a0https:\/\/store.streetlib.com\/it\/carla-dente\/journeys-through-changing-landscapes<\/a><\/span><\/li>\n
      8. \u201cLe grandi Viola del Settecento\u201d. In Mariangela Tempera e Keir Elam, a cura di. Twelfth Night dal testo alla scena<\/em>. Bologna: I Libri di Emil, 2017: 157-182. ISBN: 978-88-6680-226-6.<\/span><\/li>\n
      9. \u201cIl Riccardo III Arlecchino di Edmund Kean\u201d. In Daniela Carpi, a cura di. Richard III dal testo alla scena<\/em>. Bologna: I Libri di Emil, 2016: 87-107. ISBN: 978-88-6680-183-2.<\/span><\/li>\n
      10. \u00a0\u201cAngela Carter\u201d. In Andrew Hadfield, ed. Oxford Bibliographies <\/em>in \u201cBritish and Irish Literature\u201d (ISBN: 9780199846719). New York: Oxford University Press, 10\/03\/2015. ISBN: 978-01-9984-671-9. http:\/\/www.oxfordbibliographies.com\/view\/document\/obo-9780199846719\/obo-9780199846719-0097.xml?rskey=Bu845B&result=10<\/a>.\u00a0<\/span><\/li>\n
      11. \u201cA \u2018Marketplace Prince\u2019: The Hybridity of the Character of King Richard III and Its Popular Roots in the Vice.\u201d In Carla Dente and Jes\u00fas Tronch, eds. Offstage and Onstage. Liminal Forms of Theatre and Their Enactments in Early Modern English Drama to the Licensing Act (1737)<\/em>. Pisa: ETS, 2015: 145-163. ISBN: 978-88-4674-198-1.\u00a0<\/span><\/li>\n
      12. \u201cTheatrical Periodicals and the Ethics of Theatre in the Romantic Age\u201d. In Lilla Maria Crisafulli and Fabio Liberto, eds. The Romantic Stage. A Many-sided Mirror<\/em>. Amsterdam-New York, NY: Rodopi, 2014: 43-56.<\/span> ISBN: 978-90-4203-918-6.<\/span><\/li>\n
      13. \u201cLa figura del \u2018Vice\u2019 negli Interludi Tudor e la percezione carnevalesca del mondo\u201d. In Susan Payne e Valeria Pellis, a cura di. Il teatro inglese tra Cinquecento e Seicento. Testi e contesti<\/em>. Padova: CLEUP, 2011: 319-338. ISBN: 978-88-6129-789-0.<\/span><\/li>\n
      14. \u201c\u2018Like the Formal Vice, Iniquity\u2019: Riccardo III tra Shakespeare e Cibber\u201d. In AA.VV., The Character Unbound. <\/em>Studi per William N. Dodd<\/em>. Arezzo: Bibliotheca Aretina, 2010: 19-36. ISBN: 978-88-903255-8-8.<\/span><\/li>\n
      15. \u201cI predecessori di Shakespeare: morality plays<\/em> e interludi\u201d In Lilla Maria Crisafulli e Keir Elam, a cura di. Manuale di letteratura e cultura inglese<\/em>. Bologna: BUP, 2009: 23-29. ISBN: 978-88-7395-289-3.<\/span><\/li>\n
      16. \u201cLa prosa del \u2018500\u201d. In Lilla Maria Crisafulli e Keir Elam, a cura di.<\/span> Manuale di letteratura e cultura inglese<\/em>. Bologna: BUP, 2009: 61-69. ISBN: 978-88-7395-289-3.<\/span><\/li>\n
      17. \u201cEdmund Kean or \u2018the Romantic Actor\u2019\u201d. In Lilla Maria Crisafulli and Cecilia Pietropoli, eds. The Languages of Performance in British Romanticism<\/em>.<\/em> Bern: Peter Lang, 2008: 127-139. ISBN: 978-3-03911-079-1.<\/span><\/li>\n
      18. \u201cEntertainers \u2018on the Vagabond Fringe\u2019: Jugglers in Tudor and Stuart England\u201d. In Alessandro Serpieri and Paola Pugliatti, eds English Renaissance Scenes: From Canon to Margins<\/em>. Bern: Peter Lang, 2008: 311-347. ISBN: 978-3-03911-079-7.<\/span><\/li>\n
      19. Traduzione di: John Dennis, L\u2019utilit\u00e0 del teatro […] in occasione di un libro recente, scritto da Jeremy Collier<\/em> (1698). In Romana Zacchi, a cura<\/span> di. La scena contestata. Antologia da un campo di battaglia transnazionale<\/em>. Napoli: Liguori, 2006: 89-94. ISBN: 88-207-3953-4.<\/span><\/li>\n
      20. \u201c\u2018I can add colours to the chameleon\u2019: King Richard III\u2019s Metamorphic History\u201d. In Dente, G. Ferzoco, M. Gill and M. Spunta, eds. Proteus. The Language of Metamorphosis<\/em>. Aldershot: Ashgate, 2005: 243-254. ISBN: 978-07-5463-957-2.\u00a0 \u00a0<\/strong><\/span><\/li>\n
      21. \u201cA \u2018Deformed\u2019 Christianity: Ethical Transubstantiation in English Reformation Plays\u201d. In Douglas Burnham and Enrico Giaccherini, eds. The Poetics of Transubstantiation: From Theology to Metaphor<\/em>. Aldershot: Ashgate, 2005: 63-74. ISBN: 978-07-5465-026-3.<\/span><\/li>\n
      22. \u201cAngela Carter\u2019s The Passion of New Eve<\/em> (1977): Sexual Transmutation as Psycho-physical Exile\u201d. In Sharon Ouditt, ed. Displaced Persons: Conditions of Exile in European Culture<\/em>. Aldershot: Ashgate, 2002: 138-148. ISBN: 978-07-5460-511-9.<\/span><\/li>\n
      23. \u201c\u2018Her<\/em>-story\u2019: la Storia (ri)scritta dalle donne nel teatro inglese contemporaneo\u201d. In Ornella De Zordo e Fiorenzo Fantaccini, a cura di. Le riscritture del Postmoderno. Percorsi angloamericani<\/em>. Bari: Palomar edizioni, 2002: 289-312. ISBN: 88-87467-66-8.<\/span><\/li>\n
      24. \u201cThe Infernal Desire Machines of Doctor Hoffman<\/em> (1972) di Angela Carter: nel regno della fantascienza, la minaccia dell’immaginario\u201d. In Francesco Gozzi e Anthony L. Johnson, a cura di. Scienza e immaginario<\/em>. Pisa: Edizioni ETS, 1997: 377-390. ISBN: 884-67-0025-2.<\/span><\/li>\n
      25. \u201cAngela Carter e il realismo magico: il caso di Nights at the Circus<\/em>\u201d. In Serena Cenni e Alex R. Falzon, a cura di, Angela Carter: Tradizioni, Innovazioni, Traduzioni (Atti del Convegno, Siena 17-18 aprile 1996)<\/em>. Trento: Tipolitografica Editrice TEMI, 1997: 43-57.<\/span><\/li>\n<\/ol>\n

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        RECENSIONI<\/em><\/strong><\/h4>\n
          \n
        1. Recensione di: Diego Saglia, Modernit\u00e0 del Romanticismo. Scrittura e cambiamento nella letteratura britannica 1780-1830<\/em> (Venezia: Marsilio, 2023). Rivista di Letterature moderne e comparate e Storia delle arti <\/em>77 n.s. 3 (luglio-settembre 2024): 346-350. ISSN: 0391-2108. (Rivista di classe A<\/strong>)<\/span><\/li>\n
        2. Recensione di: Lisanna Calvi (a cura di), Memoria, malinconia e autobiografia dello spirito: Dionys Fitzherbert e Hannah Allen<\/em> (Pisa: Pacini, 2012). Rivista di Letterature moderne e comparate <\/em>68 n.s.1 (gennaio-marzo 2015): 94-96. ISSN: 0391-2108. (Rivista di classe A<\/strong>)<\/span><\/li>\n
        3. \u201cEnciclopedie e dizionari americani e inglesi in linea\u201d. Letterature d\u2019Europa e d\u2019America <\/em>1 (2004), \u201cSoglie, margini, confini. Scritture in limine\u201d: 372-374. ISSN: 1824-4920.<\/span><\/li>\n
        4. Recensione di: Sharon Ouditt (ed.), Displaced Persons: Conditions of Exile in European Culture<\/em> (Aldershot: Ashgate, 2002). LEA. Letterature d\u2019Europa e d\u2019America <\/em>1 (2004), \u201cSoglie, margini, confini. Scritture in limine\u201d: 360-363. ISSN: 1824-4920.<\/span><\/li>\n
        5. Recensione di: Kent Cartwright, Theatre and Humanism: English Drama in the Sixteenth Century<\/em> (Cambridge: Cambridge University Press, 1999). The European Legacy – Toward New Paradigms<\/em>1 (February 2003): 95-96. ISSN: 1084-8770.<\/span><\/li>\n
        6. Recensione di: Greg Walker, The Politics of Performance in Early Renaissance Drama<\/em> (Cambridge: Cambridge University Press, 1998). The European Legacy – Toward New Paradigms <\/em>VI.4 (August 2001): 526-528. ISSN: 1084-8770.<\/span><\/li>\n<\/ol>\n

          \u00a0<\/h4>\n

          BANCHE DATI<\/em><\/strong><\/h4>\n
            \n
          1. \u201cHeywood\u2019s The Play of the Weather<\/em>\u201d, \u201cHeywood\u2019s The Pardoner and the Frere<\/em>\u201d, \u201cSkelton\u2019s Magnyfycence<\/em>\u201d, \u201cBale\u2019s King Joan, Part 1\u201d, \u201cBale\u2019s King Joan, Part 2\u201d, \u201cGodly Queen Hester<\/em> 1527\u201d, \u201cSomebody, Avarice and Minister<\/em> (Somebody and Others, or the Spoiling of Lady Verity<\/em>) 1550\u201d, \u201cLupton\u2019s All for Money<\/em> 1577\u201d, \u201cSkelton\u2019s Old Christmas, or Good Order<\/em> 1533\u201d, \u201cW. Wager\u2019s The Cruel Debtor<\/em> 1565\u201d. In Brian Jay Corrigan, ed. The Compendium of Renaissance Drama<\/em>. Online database, http:\/\/cord.ung.edu\/index.htm<\/a> and http:\/\/cord.ung.edu\/contributors.html<\/a>, 2016.<\/span><\/li>\n
          2. Annotazione bibliografica elettronica di: Janette Dillon. \u201cClerkenwell and Smithfield as a Neglected Home of London Theater\u201d. Huntington Library Quarterly<\/em> 71 (2008). In Routledge ABES (Routledge Annotated Bibliography of English Studies)<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>. October 2011.<\/span><\/li>\n
          3. Annotazione bibliografica elettronica di: Thomas Deloney. The Gentle Craft<\/em> (ed. by Simon Barker). Aldershot: Ashgate, In Routledge ABES (Routledge Annotated Bibliography of English Studies)<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>. 16\/01\/2009.<\/span><\/li>\n
          4. Collaborazione alla sezione \u201cRenaissance and Early Modern\u201d, Routledge ABES (Routledge Annotated Bibliography of English Studies)<\/em><\/strong>, Pubblicazione elettronica su abbonamento edita da Routledge, 2007-2012 http:\/\/abe.informaworld.com\/sabe\/home<\/a><\/span><\/li>\n
          5. Annotazione bibliografica elettronica di: Charles Frederick Tucker Brooke. The Tudor Drama: A History of English National Drama to the Retirement of Shakespeare<\/em>. Hamden, CT, and London: Archon Books, 1964 [1911]. In ABES <\/em>(Annotated Bibliography for English Studies<\/em>), vol. 304, \u201cRenaissance and Seventeenth Century\u201d, Swets & Zeitlinger, http:\/\/abes.swets.nl<\/a>, 05\/03\/2002 (Confluita in Routledge ABES<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>, 01\/01\/2005).<\/span><\/li>\n
          6. Annotazione bibliografica elettronica di: Bernard Spivack. Shakespeare and the Allegory of Evil: The History of a Metaphor in Relation to His Major Villains<\/em>. New York: Columbia University Press, In ABES <\/em>(Annotated Bibliography for English Studies<\/em>), vol. 304, \u201cRenaissance and Seventeenth Century\u201d, Swets & Zeitlinger, http:\/\/abes.swets.nl<\/span>, 05\/03\/2002 (Confluita in Routledge ABES<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>, 01\/01\/2005).<\/span><\/li>\n
          7. Annotazione bibliografica elettronica di: Frederick S. Boas. University Drama in the Tudor Age<\/em>. New York: Benjamin Blom, 1966 [1914]. In ABES <\/em>(Annotated Bibliography for English Studies<\/em>), vol. 304, \u201cRenaissance and Seventeenth Century\u201d, Swets & Zeitlinger, http:\/\/abes.swets.nl<\/a>, 05\/03\/2002 (Confluita in Routledge ABES<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>, 01\/01\/2005).<\/span><\/li>\n
          8. Annotazione bibliografica elettronica di: David M Bevington. \u201cTudor Drama and Polemics under Queen Mary\u201d, Renaissance Drama<\/em> 9 (1966): 105- In ABES <\/em>(Annotated Bibliography for English Studies<\/em>), vol. 304, \u201cRenaissance and Seventeenth Century\u201d, Swets & Zeitlinger, http:\/\/abes.swets.nl<\/a>, 05\/03\/2002 (Confluita in Routledge ABES<\/em>, http:\/\/abe.informaworld.com\/sabe\/home<\/a>, 01\/01\/2005).<\/span><\/li>\n
          9. Annotazione bibliografica elettronica di: N. Sanders, R. Southern, T.W. Craik and L. Potter, eds. The Revels History of Drama in English, vol. II, 1500-1576<\/em>. London and New York: Methuen, In ABES <\/em>(Annotated Bibliography for English Studies<\/em>), vol. 304, \u201cRenaissance and Seventeenth Century\u201d, Swets & Zeitlinger, http:\/\/abes.swets.nl<\/a>, 05\/03\/2002.<\/span><\/li>\n
          10. Curatela della sezione \u201cTudor Drama 1485-1576: Morality Plays, Interludes\u201d, in ABES <\/em>(Annotated Bibliography for English Studies<\/em>)<\/strong>, vol. 304, \u201cRenaissance and Seventeenth Century\u201d (a cura di John Drakakis), 2001-2005. Pubblicazione elettronica su abbonamento edita da Swets & Zeitlinger, http:\/\/abes.swets.nl<\/a>.<\/span><\/li>\n
          11. \u201cJohn Bale\u201d, in Robert Clark, ed. The Literary Encyclopedia<\/em>. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http:\/\/www.litencyc.com\/php\/speople.php?rec=true&UID=231<\/a>, 20\/10\/2001.<\/span><\/li>\n
          12. \u201cJohn Heywood\u201d, in Robert Clark, ed. The Literary Encyclopedia<\/em>. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http:\/\/www.litencyc.com\/php\/speople.php?rec=true&UID=2122<\/a>, 20\/10\/2001.<\/span><\/li>\n
          13. \u201cNicholas Udall\u201d, in Robert Clark, ed. The Literary Encyclopedia<\/em>. Pubblicazione elettronica su abbonamento (ISSN 1747-678X), http:\/\/www.litencyc.com\/php\/speople.php?rec=true&UID=4498<\/a>, 28\/10\/2001.<\/span><\/li>\n<\/ol>\n\n\n

            <\/p>\n","protected":false},"excerpt":{"rendered":"

            MONOGRAFIE L’ambiguo volto dell’Italia nella letteratura inglese del Cinquecento. Pisa: Pisa University Press, 2025 (serie “Viaggi per scene in movimento”). ISBN: 979-1-2560-8118-9. https:\/\/www.pisauniversitypress.it\/scheda-libro\/nicoletta-caputo\/lambiguo-volto-dellitalia-nella-letteratura-inglese-del-cinquecento-9791256081189-577338.html. Richard III as a Romantic Icon: Textual, Cultural and Theatrical Appropriations. Bern: Peter Lang, 2018 (serie \u201cRomantic Studies. Theories and Practices\u201d). ISBN: 978-3-0343-2998-9. https:\/\/www.peterlang.com\/view\/title\/63734?format=PBK. \u2018New Wine in Old Bottles\u2019: il bricolage intellettuale […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"acf":[],"featured_image_src":null,"yoast_head":"\nPubblicazioni - Nicoletta Caputo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/people.unipi.it\/nicoletta_caputo\/pubblicazioni\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pubblicazioni - Nicoletta Caputo\" \/>\n<meta property=\"og:description\" content=\"MONOGRAFIE L’ambiguo volto dell’Italia nella letteratura inglese del Cinquecento. 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ISBN: 978-3-0343-2998-9. https:\/\/www.peterlang.com\/view\/title\/63734?format=PBK. \u2018New Wine in Old Bottles\u2019: il bricolage intellettuale […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/people.unipi.it\/nicoletta_caputo\/pubblicazioni\/\" \/>\n<meta property=\"og:site_name\" content=\"Nicoletta Caputo\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-06T08:46:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"12 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/pubblicazioni\\\/\",\"url\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/pubblicazioni\\\/\",\"name\":\"Pubblicazioni - Nicoletta Caputo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/#website\"},\"datePublished\":\"2015-04-08T09:14:00+00:00\",\"dateModified\":\"2026-05-06T08:46:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/pubblicazioni\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/pubblicazioni\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/pubblicazioni\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pubblicazioni\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/#website\",\"url\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/\",\"name\":\"Nicoletta Caputo\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/people.unipi.it\\\/nicoletta_caputo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pubblicazioni - Nicoletta Caputo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/people.unipi.it\/nicoletta_caputo\/pubblicazioni\/","og_locale":"it_IT","og_type":"article","og_title":"Pubblicazioni - Nicoletta Caputo","og_description":"MONOGRAFIE L’ambiguo volto dell’Italia nella letteratura inglese del Cinquecento. 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